Source: www.pos.com.my

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Miniature Sheets descriptions:
# 1 – Pekan Rabu, Kedah
# 2 – Pasar Minggu Satok, Sarawak

Title: Local Markets
Date of Issue: 23 March 2010
Country: Malaysia
Denominations: 30 sen x 2, 50 sen x 2, Miniature Sheet RM1 + RM2 (2 designs)

Source: Mohd Nizamuddin Safie, Malaysia

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Today, beyond the image depicted by painters and poets, the Polynesian woman holds a major position in the current society and is a pillar of the family circle.

To illustrate this, Joëlle Claudel Gandouin, through her paintings, depicts a Polynesian woman with natural beauty but also the protective mother of a family, loving and caring for her child. The painter remains fascinated in the midst of red and ochre hues that characterise her painting.

The Post and Telecommunications Office wanted to show the diversity and significance of women in French Polynesia. Each year, on the 8th of March, International Women’s Day is celebrated in the whole world.

Title: Women in Polynesia
Date of Issue: 8 March 2010
Country: Tahiti
Denominations: 0,70 f and 0,75 f

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Title: Country Romance
Date of Issue: 8 March 2010
Country: Finland
Denominations: 1st class

Source: www.posti.fi

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1. The Lin An-tai Historical Home in Taipei (NT$5.00): First built in 1783, this compound with two courtyards and several side wings is characteristic of the Anxi style of residential architecture in northern Taiwan. It is an outstanding example of a merchant’s home from that era. Due to a road widening project, the structure was taken apart in 1978 and then reassembled in Binjiang Park by the Taipei City Government in 1984.

2. The Li Family Compound in Luzhou, Taipei County (NT$5.00): First built in 1857 and renovated in 1903, this compound has three courtyards and several side wings. It is representative of large traditional rural dwellings in northern Taiwan. The Li Family Compound has the simple, solid style of a farmer’s home and the stately spirit of a residence of an important official or member of the gentry. It is a historical abode with a strong cultural flavor.

3. The Lin Family Compound in Wufeng, Taichung County (NT$5.00): First built in 1858, this house has several courtyards and side wings. It is the largest historical government official’s residence in Taiwan. Parts of the complex collapsed during the 921 Earthquake. They have largely been restored in the years since.

4. Xiaoyun Villa in Shengang, Taichung County (NT$12.00): First built in 1866, this compound has two courtyards and several side wings. It is a home that is romantic, cultural and artistic at the same time. Several later additions to the compound are a mixture of Japanese and western architectural styles. The villa could serve as a museum to the history of residential architecture in Taiwan all by itself.

Title: Traditional Taiwanese Residences Postage Stamps (II)
Date of Issue: 9 February 2010
Country: Taiwan
Denominations: NT$5.00 x 3, NT$12.00

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Kalamkari:
Kalamkari refers to a method of painting natural dyes onto cotton or silk fabric with a bamboo pen or kalam. The name kalamkari translates as pen (kalam) work (kari) in Hindi/Urdu, and was most likely derived from trade relationships between Persian and Indian merchants as early as the 10th century CE. European merchants also had names for this type of fabric decoration: the Portugese called it pintado, the Dutch used the name sitz, and the British preferred chintz. The name kalamkari is used prominently today, and is synonymous with both painted and hand blockprinted textiles that incorporate natural vegetable/organically-derived dye stuffs. While there are many forms of kalamkari throughout India and the world, the focus of this site is on extant kalamkari practice in Sri Kalahasti, Andhra Pradesh, in South India.

Apa Tani Weave:
The Apatani, or Tanii, are a tribal group of about 26,000 (approximately) in Ziro valley in the Lower Subansiri district of Arunachal Pradesh India.The Apatani make beautiful hand weaves. The weaving method is still the old fashioned one, the apparatus is a simple reed loom and the actual weaving is performed with a semi-curved bamboo tube. Every house hold in the villages has its own indigenous weaving set. The handloom products include skirts, shirts, cotton shawls, jackets, side bags and curtains. They still prefer the bark fibers extracted from trees, goat hair, and human hair for weaving. The weaving products are ceremonial costumes like coats, shawls, embroidered cotton cloth, handbag, skirts and lungis (loin cloths), sashes, carpets etc.

Kancheepuram silk:
The glamour of the Kancheepuram silk saree lies in its colour contrasts. Pyramidical temple borders, checks, stripes and floral “buttas” are traditional designs you will find in a Kancheepuram saree. In a genuine Kancheepuram saree, the border, body and pallav are woven separately and then interlocked together. The joint is woven so strongly that even if the saree tears, the pallav (or border) will not detach.

Banaras Silk:
Banaras is one of the rich weaving craft centre of India, famous for Brocade saris and allover dress material. Exclusive varieties of the saris are Jangla, Tanchoi, Vaskat, Cutwork, Tishu, and Butidar which are made of silk warp and silk weft, on plain/satian ground base, brocaded with extra weft patterns in different layouts introducing Buties, Bells, creepers, Buttas in ground, border and Anchal for getting glamours appearance.

Title: Traditional Indian Textiles
Date of Issue: 10 December 2009
Country: India
Denominations: 500p x 4

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Title:

The philately stamps devoted to El Candil and Las Seguidillas, depict different steps of these folk dances performed by dancers in their traditional costumes wearing hats and scarves.
El Candil takes its name from the fiestas held by candlelight and oil lamps long before electricity. It is a typical dance from the region of Extremadura and specially famous in the town of Olivenza ( Badajoz). It is said to have a Portuguese origin and is performed by a group of dancers in a circle making slow movements at the beginning and getting faster progressively with cheerful hammering of the heels on the floor and clapping from the public. The purpose of these gatherings was for young men and women to meet and the common way to ask a woman to dance was saying “please”. If another man wished to join in, he had to ask the man for permission, never the lady. The dance ends with a ritual embrace where the man puts his arms over the woman’s shoulders in a restrained manner. If this gesture was more effusive, the man could be rebuked. As in other folk dances, El Candil is accompanied by either gallantry songs or by cheeky and witty ones. The woman can reply to these compliments with another song expressing her rejection or her acceptance.

The word Seguidillas refers to both a metric composition and to a popular dance, which according to experts, is the most characteristic of Spain. Its origin is claimed by various autonomous regions but it is commonly accepted as coming from La Mancha from where it spread to the rest of the country. It is accompanied by guitars, bandurrias, lutes, castanets and other instruments to a ¾ beat and four verse stanzas with various themes, from love, to sayings and jests. In the dance, there is always a musical introduction followed by the chorus and nine beat verses. The funniest part being the bien parao, which means standing still in the position the dancer is in the last note. Amongst the different varieties of Seguidillas are the manchegas, sevillanas, boleras, murcianas, chambergas and the gitanas and seguirillas, slower and a bit like flamenco.

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